Broadened Curriculums, stronger relationships and more enjoyable teaching
Background
I recently took the decision to move schools, this has been
a difficult process for me and the final few weeks at my school exposed some
emotional ties I didn’t even recognise I had with colleagues and students (more
on this in a later blog).
The one event I’d like to highlight is a visit I took to my
school’s production of Evita. After telling my year 11s it would be unlikely
that I would be going to their prom for various reasons I promised I would go
watch the school production which many of them performed in.
On This Night of a Thousand
Stars
I was fortunate enough to be able to help talk to a few
students backstage before the production, instantly I knew there was something
not quite tangible in the air: something, for lack of a less clichéd
term, magical.
The look of excitement on the students faces was invigorating,
the anticipation was mounting: makeup was being applied, hair fixed, lines
rehearsed, nerves raised and consequently settled. I left the backstage and
took my seat unsure what to expect, the only school performances I have ever encountered
were often a terrible affair, ill attended and devoid of real passion or (in
many cases) talent.
The Art of the Possible
Right from the start I was truly blown away by the entire performance:
the costumes, the music, the atmosphere, the production, but most importantly
the students.
I was awe-inspired, dumbfounded and bamboozled! Never in my
wildest dreams had I imagined that students of this age could produce something
as truly wonderful as what I was witnessing. From start the finish the students
had truly put on a fantastic spectacle, one I would happily pay to see again at
a higher cost than I did.
High Flying, adored
The obvious stars of the show were magnificent for sure, but
for me the students who really stood out were many of minor characters.
Students I teach regularly and never get to see in this light. Students who
often appear shy and introverted were, in front of my own eyes, blasting out
their tunes to a packed crowd with a beaming smile and a supreme level of
confidence.
And they were all adored for it, during the intermission I
overheard several conversations to the similar effect of amazement. Many of the
parents and other students in the crowd put into words what I was struggling to
at the time.
A New Argentina
I have always defended the extra-curricular activities that
students partake in blindly: I’ve always known that there is a reason for these
things to exist and defend vociferously students rights to a broader education
beyond the classroom.
After seeing this performance, I am now surer than ever that
the arts, like all subjects, deserve the respect that is often denied them, and
should not be discarded so readily in the pursuit of the narrow and
academically rigorous curriculum.
The music team at my school had put in months of work
alongside the students and it was truly a fantastic spectacle, one I am very glad
I saw before I left my school. And it allowed me to glimpse into another side
of students lives. One which helped me build relationships further with my
students before leaving them.
Actions are more
powerful than words
When I start at my new school after Easter, I am determined
to put what I learned from this experience into practice. I think that
student-teacher relationships are one of the single most important things to be
developed at any school. It allows us to see them for who they are, to help
them when they fall and celebrate with them when they succeed.
This is what the job is about. This is why I love it. And this
experience is one I will cherish forever when looking back at my time at
Swavesey Village College.
To any new aspiring teacher, I’d say the following: Use any
opportunity you can to see students in as many ways as possible: go on trips; participate
in extracurricular clubs; watch school plays and performances; talk to them
about their lives.
It really is worth it.
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